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Variants is the peer-reviewed journal of the European Society for Textual Scholarship (ESTS). Issued once per year, it publishes original articles in English on any aspect of the theory and practice of textual scholarship, including, but not limited to, scholarly, critical and textual editing, philology, manuscript studies, codicology and palaeography, genetic criticism/scholarship, historical bibliography and the history of the book, and authorship studies. Given the journal's European dimension, it particularly encourages methodological and theoretical approaches that are transnational, comparative and interdisciplinary. Furthermore, the journal has been at the forefront of the digital wave; over the years it has provided ample space to the treatment of digital text and tools and to editing in the electronic environment (again, on the level of theory and praxis) and continues to do so. It also actively solicits reviews of digital scholarly editions to appear alongside its regular reviews of scholarly editions and monographs on textual scholarship. In each issue it also seeks to showcase new, innovative, ongoing digital or print-based editorial projects in a section called “Work in Progress” intended to show best practice and to inform prospective editors and project leaders. There is no restriction to what genre, historical period or geographical area is concerned.

Latest issue
14 | 2019
Varia

Edited by Elli Bleeker, Wout Dillen, Wim Van Mierlo and Stefano Rosignoli

From production to transmission, from genesis to reception, text is an infinitely complex object of study that we can approach and represent from a wide range of perspectives. Influenced by technological inventions and transnational trends, the field of textual scholarship continues to evolve: we refine or alter our methodologies and we broaden our research focus. Technological developments have become a research topic in and by themselves, as we study how digitality affects modes of presentation, or influences how we conceptualize "texts", "documents" and "works". At the same time, the core business of textual scholarship – to investigate text in all its manifestations – remains unchanged. The diverse nature of contemporary textual scholarship is reflected in the contents of the fourteenth issue of Variants. 

In the opening essay, Paul Eggert sets the tone by epitomising the fluidity between the concepts "archive" and "edition" brought about by digital devices. How to relate oneself to the seemingly contradicting impulses to archive or to edit is a familiar issue for textual scholars, but the growth of both digital archives and digital editions has intensified this dichotomy. To help us imagine the wide range of possibilities to (re)present textual material digitally, Eggert proposes a horizontal slider or scroll bar, with the archive and the edition at opposite ends. He concludes that the expansion of editorial activities may come to include literary criticism as well. Our writing practices become increasingly digital too: scholarly editors of contemporary materials are confronted with an overflow of digital documents that may require an entirely different definition of a version. Christopher A. Plaisance looks at Aristotelian philosophy and establishes an ontology of fundamental concepts like "work", "text", "document" and "version" suitable for a textual scholarship framework. The transformative effects of technology on scholarly editing are also central to the contribution by Merisa Martinez, Wout Dillen, Elli Bleeker, Anna-Maria Sichani and Aodhán Kelly. Together, they carried out a large-scale survey among the international editorial community in which participants were asked about their position on access and accessibility of digital editions. The survey results show us that for many important  issues, such as Open Access and web accessibility, no agreed-on, clear-cut solutions as yet exist. Should digital editions provide access to the underlying code? How can scholars exploit the full potential of the digital medium to disseminate their findings? Although the most suitable approach to these and related questions will differ per editing team, the scholarly community will undeniably benefit from guidelines and the sharing of best practices. Building upon the methodological value of giving users insight into the workings of a software program used for text analysis, Elisa Nury examines the visualization of collation results using the tool PyCoviz. Nury aptly illustrates how to implement and refine an open source tool to examine the manuscript tradition of Calpurnicus Flaccus in greater detail. In doing so, she also demonstrates how visualization can function both as a research instrument and as a means of communication. Claudia Tardelli presents a fascinating report of the challenges that arise when editing Francesco da Buti's commentary on Dante's Commedia. Da Buti's manuscript has a complex tradition that includes authorial revisions on some – but not all – documents as well as numerous contaminations. Tardelli therefore makes the case for a critical edition that is based on a single, most authoritative manuscript with an apparatus fontium. This paves the way for a proper contextualisation of Da Buti's work and see how it relates to other Dante commentaries and additional historical sources. Peter Groves, then, identifies an increasing neglect of the metre in scholarly editions of early modern texts like Shakespeare's plays. This subtle yet significant change in editorial policy has important consequences for the way contemporary readers experience those texts. Groves calls for action and proposes a new standard for representing metrical information in texts that would uncover and illuminate an essential feature of Shakespeare's verse. We move from Britain's bard to the national poet of Lithuania, Kristijan Donelaitis, whose poem Metai is the topic of Mikas Vaicekauskas' contribution. Vaicekauskas gives an insightful overview of the various editions of the poem and beautifully illustrates how editorial strategies are shaped by sociocultural and political circumstances.

Much along the same lines, the review essay of André Goddu offers an in-depth study of the various editions of Copernicus's most famous work De revolutionibus orbum celestum, first published in 1543. Since then, a number of editions have appeared based on (a combination of) the first publication or the surviving autograph. Goddu thoroughly reviews the latest edition (2015) and at the same time synthesizes the extant scholarship on this historical text that forever changed the way we think about our planet and the solar system. The final section of Variants 14 comprises of seven reviews of innovative  and remarkable scholarly editions, research volumes, and monographs that have appeared in recent years.

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