For several decades, music and sound have been the subject of research investigations that focus on the analysis of their symbolic value in a historical perspective, as well as on the imaginaries created around new instruments of sound reproduction and their products. This field of study is situated within the expansive and adaptable domain of sound studies, a research area that is inherently hybrid and flexible, located at the intersection of disciplines such as media studies, physics, architecture, and musicology – among others. With the exception of sound studies incunabula such as R. Murray Schafer’s The Tuning of the World and Jacques Attali’s Bruits (both from 1977), which, however, have little to do with the modern approach to sound studies today, the flowering of the discipline occurred in the early 2000s : scholars such as Jonathan Sterne, Emily Thompson, Trevor P...
“The Day Technology Became Political. Conference Report : A Political History of Sound Technologies ?”
Entrées d’index
Haut de pageExtrait du texte
Texte intégral disponible via abonnement/accès payant sur le portail Cairn. Le texte intégral en libre accès sera disponible à cette adresse en janvier 2028.
Consulter cet article
Aperçu du texte
Pour citer cet article
Référence papier
Benedetta Zucconi, « “The Day Technology Became Political. Conference Report : A Political History of Sound Technologies ?” », Volume !, 22 : 2 | 2025, 131-134.
Référence électronique
Benedetta Zucconi, « “The Day Technology Became Political. Conference Report : A Political History of Sound Technologies ?” », Volume ! [En ligne], 22 : 2 | 2025, mis en ligne le 01 décembre 2025, consulté le 09 mars 2026. URL : http://journals.openedition.org/volume/15604 ; DOI : https://doi.org/10.4000/15mst
Haut de pageDroits d’auteur
Le texte seul est utilisable sous licence CC BY-NC-ND 4.0. Les autres éléments (illustrations, fichiers annexes importés) sont susceptibles d’être soumis à des autorisations d’usage spécifiques.
Haut de page

