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Paula Rowe, Heavy Metal Youth Identities: Researching the Musical Empowerment of Youth Transitions and Psychosocial Wellbeing

Secil Sen
p. 109-112
Référence(s) :

Paula Rowe, Heavy Metal Youth Identities: Researching the Musical Empowerment of Youth Transitions and Psychosocial Wellbeing, Bingley, Emerald Publishing Limited, 2018

Texte intégral

1Since heavy metal emerged in the late 1960s, it has brought about several disputes among parents and political authorities as to heavy metals assumed threat to social morals and child-rearing conditions. Heavy metal music was associated with drugs and promiscuous sex, meaning that the youth knew no boundaries (Weinstein, 2000: 3). Furthermore, because the lyrics in heavy metal music concerned parents, the Parents Music Resource Center (PMRC) requested in 1985 a US Senate hearing, so that it could be proven that the lyrics glorified suicide, incest, rape etc. (which was mentioned in detail in Weinsteins book Heavy Metal: The Music and Its Culture [2000]). Young metalheads were assumed to be problematic and have lower success at school than others. Works such as The Heavy Metal Subculture and Suicide (1994) problematized heavy metal by showing a connection between young people who identified with heavy metal subculture and suicide rates. However, in her book, Paula Rowe focuses on the positive effects of young peoples tendency toward heavy metal.

2Rowe takes the topic of heavy metal and youth to another dimension by focusing more on the reasons why young people tend to construct metal identities and how they continue with these metal identities in their young adult years. She aims to enlighten what young people find interesting in metal music, what being metalprovides them with, how their aspirations are shaped in the beginning of their working lives. The book starts with a personal and historical introduction. She recalls her own experiences as a metalhead and heavy metals influence on the society with both political and societal consequences. She explains how she conducted an insiderresearch, drawing upon her metalhead past, even though there is a 20 years gap between her and her interviewees. She collected data through in-depth face-to-face interviews and repeat interviews with the same participants. Her sample of interviewees consists in 28 young metal fans: 5 females and 23 males from diverse socioeconomic backgrounds, but all aged between 18-24, and based in Adelaide, South Australia.

3Paula Rowe divided her book into two sections. The first section focuses on becoming metaland the second on being metal. In the first one, she examines how young people meet heavy metal and the reasons why they are attracted to it, how they feel when they listen to heavy metal, how the others perceive their metal looks (especially at school) and how the feeling of belonging to the metalhead community generates positive effects on their lives. The section is itself divided into three chapters, where Paula Rowe analyzes each research participant as a specific case study. Through detailed narratives, she counters the traditional assumptions about young metalheads:

“Jake’s and Alex’s quotes don’t align with the stereotypical profiling of metalheads as apathetic and demotivated that have been put forth in the academic and popular literature. Other participants further reported that listening to metal was a motivator for completing schoolwork, testing ones self physically and mentally and enhancing tenacity at a range of tasks. This may not be the case for all young metalheads, but those I came to know through this research certainly challenged the long-standing stereotypes of metal youth as being rather useless, showing that they are in fact quite capable of much more than some would believe.” (48)

4The author also points out that young metalheads manage to transform peer pressure to their advantage, which provides them with social protection. She writes:

“It was absolutely clear that the metal youth I spoke to absolutely felt that they had reconstructed the damaged stereotypesassigned to them by more popular peers (or at least imagined) into ‘chosen’ identities that were capable of disrupting the dominant norms at school. The shybecame the shocking, the quietbecame the dangerous, the smallbecame the powerful, the fatbecame the frighteningand the weirdbecame the mysterious’ or ‘unique’.” (67)

Through her research, she proves that heavy metal helps young people protect themselves against their peers' offensive actions and gives them enough power and confidence to survive school years.

5She also takes into consideration the participantssocioeconomic status alongside with their thoughts on young metalheads who listen to other subgenres. She draws the reader's attention to another aspect of the topic:

  • 1 L-SES: Low Socio Economic Status.
  • 2 M-SES: Medium Socio Economic Status.

“Whereas L-SES1 and M-SES2 participants might not have enjoyed all the types of metal, they still considered themselves to be deeply connected to the entire global metal community (as they described it), and generously found merit in all styles of metal whether they personally liked it or not.” (93)

  • 3 H-SES: High Socio Economic Status.

“However, this was not the case for the H-SES3 participants who tended to construct communityand belongingquite differently and, in effect, tried to narratively set themselves apart from the other metalheads.” (92)

At this point, she only questions this situation and leaves it open for further research.

6In the second section, Paula Rowe displays another aspect of her research, drawing on interviews she conducted with the same participants 5 years later. She focuses on their transition to working life, when the interviewees are done constructing their metal identities and start their adult lives. This section is divided into four sub-sections. She questions whether the participants have reached their life goals and how their metal identities helped them become who they wanted to be. Furthermore, she points out that, contrary to general assumptions, young metalheads can become responsible adults. As stated in the book, most of the participants had dreams of becoming huge metal musicians or aimed to choose music-related career paths where they could deal with what they love. Apart from that, some participants also mentioned that they wanted to organize metal-related travels, so that they could visit hometowns of their metal idols. Rowe recounts the stories of the participants in detail and emphasizes how heavy metal influenced their youth dreams and became the motive for their lives. She also investigates how parentsbehaviors affect young metalheads. She writes:

“Stating that parents were cool(or mostly cool) with metal preferences and activities was a very common theme among participants. Very few parents had outright objections, but a notable exception was Jakes mother who deemed it the devils musicand did not want to hear it coming from his room. Some other parents made suggestions for their sons to cut their hair to improve their chances of finding work. But in the main, parents were generally regarded as cool’ or ‘chilled’. (146) The author questions being cool and chilled further by looking deeper into each participant's family dynamics. Furthermore, she categorizes parenting styles and siblings, which enables us to see how the behaviors of parents and siblings can influence youth transitions negatively or positively.”

7I suggest that analyzing the experiences of an equal number of female metalheads would have created a different overall picture. The author certainly includes female participants and their detailed interviews; however 23 participants out of 28 are male. She is aware that the gender balance unfortunately was not reached. But not working with an equal number of participants from both genders could still be accepted as a negative aspect of the research.

8With her insider experience and research in the field of youth studies, no doubt Rowe contributes to metal music studies. She manages to show us that earlier research did not include the metal youth transitions and demonized metal music. Therefore, Rowes book is definitely very well written and includes a detailed research, which shows us the importance of heavy metal to young people. The book definitely brings up further topics to research about being metalthat would require other resources: heavy metal lyrics and their effect on gender diverse metal youth and gender sensitivity, individualized social action and its influences in politics, skill development and family perspectives.

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Bibliographie

Stack Steven, Gundlach Jim & Reeves Jimmie L. (1994),The heavy metal subculture and suicide,” Suicide and LifeThreatening Behavior, 24(1), pp. 15-23.

Weinstein Deena (2000), Heavy Metal: The Music and its Culture, Cambridge, Da Capo Press.

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Notes

1 L-SES: Low Socio Economic Status.

2 M-SES: Medium Socio Economic Status.

3 H-SES: High Socio Economic Status.

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Pour citer cet article

Référence papier

Secil Sen, « Paula Rowe, Heavy Metal Youth Identities: Researching the Musical Empowerment of Youth Transitions and Psychosocial Wellbeing », Volume !, 15 : 2 | 2019, 109-112.

Référence électronique

Secil Sen, « Paula Rowe, Heavy Metal Youth Identities: Researching the Musical Empowerment of Youth Transitions and Psychosocial Wellbeing », Volume ! [En ligne], 15 : 2 | 2019, mis en ligne le 16 juin 2019, consulté le 15 septembre 2019. URL : http://journals.openedition.org/volume/6739

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Auteur

Secil Sen

Secil Sen est chercheuse indépendante. Elle est titulaire d’une licence en enseignement de langue anglaise, obtenue en Turquie, et d’un master en études américaines de l’université Humboldt de Berlin. Son mémoire de master était intitulé Reconstruction des identités féminines allemande sous l’influence du rock‘n’roll dans la période d’après-guerre. Son diplôme obtenu, elle continue ses recherches autour de l’étude des musiques metal. Ses centres d’intérêt son la musique metal et les rapports de genre dans les communautés musulmanes.

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Droits d'auteur

L'auteur & les Éd. Mélanie Seteun

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