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19 : 2 | 2022
Terrains communs : ethnomusicologie et popular music studies

Common Grounds: Ethnomusicology and Popular Music Studies
Edited by Marta Amico and Emmanuel Parent

This issue explores the crossroads, contacts and contrasts between two fields of musical knowledge: ethnomusicology and popular music studies. When ethnomusicology tackles music that is produced in recording studios in both the North and the South, when queer performances venture into Asturian folklore, when bureaucracies produce world music, when raggadub and punk from Marseille are observed from the radios, restaurants and streets they have stemmed from, when Mandingo music is analyzed as a mainstream media trend that transforms local African scenes, “common grounds” surface that renew the way we question music.

Editor’s notes

Ouvrage publié avec le soutien de l’Unité de recherche Arts : Pratiques et Poétiques de l’université Rennes 2, de la Société Française d’Ethnomusicologie, de l’Association for the Study of Popular Music - Branche francophone d'Europe et de Rennes Métropole.
La revue Volume ! est soutenue par l’IRMÉCCEN (EA 7546), université Paris 3 Sorbonne Nouvelle

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