[1946], Aviva: koroteha shel ma‘apila tse‘ira [Aviva: life of a young illegal immigrant], Booklet 5, Ha-roman ha-meratek, Tel Aviv.
Al ha-mishmar [On Guard], 23 December 1946, “‘Aviva’ be-Tel Aviv hayta ‘Sabine’ be-Varsha” [‘Aviva’ in Tel Aviv was ‘Sabine’ in Warsaw], p. 4.
Al ha-mishmar, 5 February 1947, “Be-ein bochenet” [With a discerning eye], p. 2.
Al ha-mishmar, 14 February 1947, “Ha-mezik be-‘muktsah mehmat mius’” [Damaging the outcasts due to revulsion], Y.R., p. 3.
Barthes Roland, 1977, Image, Music, Text, Heath S (trans.), Fontana, London.
Ben-Ari Nitsa, 2006, Dikui ha-erotika: tsenzurah ve-tsenzura atsmit ba-sifrut ha-ivrit 1930–1980 [Suppression of the erotic: censorship and self-censorship in Hebrew literature 1930–1980], University of Tel Aviv, Tel Aviv.
Ben-Ari Nitsa, 2008, “Popular Mass Production in the Periphery” in Pym Anthony, Shlesinger Miriam & Simeoni Daniel, Beyond Descriptive Translation Studies, John Benjamins, Amsterdam, p. 1–18.
Berg Matthew, 1998, “Schmutz, Schund and sittliche Gefdhrdung: The Politics of Children's Morality Legislation in Early Postwar Austria” in German Studies Review, vol. 21, no 3, p. 447–467.
Birnhack Michael, 2012, Colonial Copyright: Intellectual Property in Mandate Palestine, Oxford University Press, Oxford.
Bloom Clive, 2002, Bestsellers: Popular Fiction since 1900, Palgrave McMillan, New York.
Cawelti John, 1976, Adventure, Mystery and Romance: Formula Stories as Art and Popular Culture, University of Chicago Press, Chicago.
Chaver Yael, 2004, What Must Be Forgotten: The Survival of Yiddish in Zionist Palestine, Syracuse University Press, Syracuse.
Cohen Nathan, 2003, “Shund and the Tabloids: Popular Reading in Inter-War Poland” in Polin, no 16, p. 189–211.
Davar [Speech], 17 January 1934, “B. Katznelson al she’elot ha-tarbut ve-ha-no’ar: avodateinu ha-tarbutit” [B. Katznelson on questions of culture and youth: our cultural labor], p. 2.
Davar, 4 December 1947, “Aviva Chozeret” [Aviva returns], p. 4.
Davar, 18 April 1947, [advertisement for Aviva], p. 10.
Davar, 25 April 1958, “Helena Gutgeld”, Y. G., p. 7.
Drucker Bar-Am Gali, 2021, Ani afarekh: Yisra’el be-sifrut Yiddish ha-yisra’elit 1948–1967 [I am your dust: Israel in Israeli-Yiddish literature 1948–1967], Yad Yitzhak Ben-Tzvi, Jerusalem.
Finkelstein Chaim, 1978, Haynt: A tsaytung bay Yidn [Haynt: a Jewish newspaper], 1908–1939, Farlag Y.L. Perets, Tel Aviv.
Gelder Ken, 2004, Popular Fiction: The Logics and Practices of a Literary Field, Routledge, London.
Ha-arets [The Land], 23 December 1946, “Be-Tel Aviv” [In Tel Aviv], p. 5.
Ha-arets, 7 March 1947, “Be-mish‘ol sefarim” [In the path of books], A.U.H., p. 2.
Ha-boker [The morning], 22 January 1947, “Mi yatsar et ‘Sabine’ she-hafkhah le-‘Aviva’?”[Who created ‘Sabine’ who turned into ‘Aviva’?], p. 4.
Ha-mashkif [The Observer], 23 December 1946, “Saviv ‘Sabine’-‘Aviva’” [Around ‘Sabine’-‘Aviva’], p. 4.
Ha-tsofe, 4 April 1938, “Birchovah shel ir” [On the streets of the city], S.D.L., p. 2.
Ha-tsofe, 23 December 1946, “Tel Aviv”, p. 4.
Ha-tsofe, 22 January 1947, “Psolet me-Haynt mufetset be-Tel Aviv” [Haynt’s garbage is distributed in Tel Aviv], p. 4
Hemmungs-Wirtén Eva, 2004, No Trespassing: Authorship, Intellectual Property Rights, and the Boundaries of Globalization, University of Toronto Press, Toronto.
Kacyzne Alter, 1937, “Notitsn: Sabine mit Reginan, oder di klole fun nisht-organizirtkayt” [Notes: Sabine with Regine, or the curse of non-organization] in Mayn redndiker film [My talking film], 15 October 1937, p. 7–12.
Kacyzne Alter, 1938, “Forshtelung” [Presentation] in Mayn redndiker film [My talking film], 1 February 1938, p. 1–2.
Klinger A, 1937, Sabine: roman fun a kranken shvester [Sabine: a novel about a nurse], Booklet 8, Hayntige nayes, Warsaw.
Kol Ha-am [Voice of the People], 25 April 1947, “Daf le-no‘ar” [Page for youth], p. 6.
Lee Tong King, 2020, “Translation and Copyright: Towards a Distributed View of Originality and Authorship” in The Translator, vol. 23, no 6, p. 241–256.
Lefevere André, 1992, Translation, Rewriting, and the Manipulation of Literary Fame, Routledge, London & New York.
Mayzl Nakhmen,1933, “Mi-koyekh dem shund-roman” [The power of the trashy novel] in Literarishe bleter [Literary Pages], 10 November 1933, p. 1–2.
McMurran Mary, 2009, The Spread of Novels: Translation and Prose Fiction in the Eighteenth Century, Princeton University Press, Princeton.
Melman Billie, 2009, “The Legend of Sarah” in Kark Ruth et al., Jewish Women in Pre-State Israel, Brandeis University Press, Waltham, p. 291–298.
Novershtern Avraham, [undated], “Haynt” in Historical Jewish Press, URL: https://www.nli.org.il/en/newspapers/hyt (consulted on 27 December 2021).
Pinsker Shachar, 2020, “When Yiddish Was Young in Israel” in Berg Nancy & Sokoloff Naomi, Since 1948: Israeli Literature in the Making, SUNY Press, Albany, p. 83–102.
Rizzi Andrea, 2008, “When a Text is Both a Pseudotranslation and a Translation” in Pym Anthony, Shlesinger Miriam & Simeoni Daniel, Beyond Descriptive Translation Studies, John Benjamins, Amsterdam, p. 153–162.
Robinson Douglas, 1998, “Pseudotranslation” in Baker Mona & Malmkjaer Kirsten, Routledge Encyclopedia of Translation Studies, Routledge, London, p. 183–185.
Rojanski Rachel, 2020, Yiddish in Israel: A History, Indiana University Press, Bloomington.
Rosenbaum Gabriel, 1999, “‘Ha-roman ha-zair’ ve-‘ha-kulmos’: sifrut popularit hungarit–mi-budapest le-tel-aviv” [‘Ha-roman ha-zair’ and ‘ha-kulmos’: Hungarian popular literature from Budapest] in Kesher, no 26, p. 88–93.
Said Edward, 1983, The World, The Text, and the Critic, Harvard University Press, Cambridge.
Segal S., 1937, “Sabine”, Głuboker Sztyme [Gluboker Voice], 21 October 1937, p. 3.
Shamai A., 1947, “Rekev be-ya‘akov” [Ya‘akov’s rot] in Ha-mashkif, 11 May 1947, p. 2.
Shavit Zohar,1999, “Hitpatḥut ha-sifrut ha-lo kanonit” [Development of non-canonical literature] in Shavit Zohar, Toldot ha-yishuv ha-yehudi be-erets yisra’el me-az ha-aliyah ha-rishonah [History of the Jewish community in the Land of Israel since the First Aliya], vol. 1, Mossad Bialik, Jerusalem.
Shmeruk Khone, 1983, “Le-toldot sifrut ha-‘shund’ be-yiddish” [The history of ‘trash’ literature in Yiddish] in Tarbits, Tevet-Adar, p. 325–354.
Silveira Brisolara Valéria, 2011, “The Translator as an Author” in Nonada: Letres em Revista, 1:16, p. 107–125.
Steinberg Ya‘akov, 1919, “Ba-dor shel yordim” [In the generation of emigrants] in Ha-poel Ha-tsa‘ir [The Young Worker], 27 July 1919, p. 12.
Steinman Eliezer, 1938, “Ma‘asei shund” [Trashy stories] in Davar, 10 May 1938, p. 2.
Toury Gideon, 1995, Descriptive Translation Studies and Beyond, J. Benjamins Publishers, Amsterdam.
Tsdadi Y., 1947, “Kematim” [Creases] in Ha-tsofe, 24 January 1947, p. 6.
Venuti Lawrence, 2008, The Translator’s Invisibility: A History of Translation, Routledge, Abingdon.
Yehiel M.,1938, “Havai Tel Aviv” [Tel Aviv way of life] in Ha-tsofe [The Observer], 12 January 1938, p. 2.









